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''Emotions'' is the third LP by the British rock group The Pretty Things, released in 1967. ==Recording== The sessions for ''Emotions'' were spread across a few months during which there were major changes in the band's line up. Their record company Fontana had not been happy with how their three 1966 singles "Midnight to Six Man", "Come See Me" and "A House in the Country" had sold. For the latter single, Fontana assigned them producer Steve Rowland who was producing hits for Dave Dee, Dozy, Beaky, Mick & Tich hoping that Rowland would help the band regain a commercial sound to improve sales. The band were not pleased by this intervention and were keen to leave Fontana, so they simply went along with Fontana's demands to fulfil the contract which included a third album. Sessions for ''Emotions'' began towards the end of 1966. The first result, "Progress" was released as a single in December 1966. This featured the band with a brass section, and, though commercial, it failed to sell. Brian Pendleton was unhappy with the direction the band was heading in, and, with money being rather short, he quit the band that Christmas. A month later, bassist John Stax, similarly unhappy, also quit the band. Phil May called upon a childhood friend Wally Waller whose band The Fenmen had recently split to help record the rest of the album. In the event, Waller took over the bass duties and brought in the Fenmens' drummer, Jon Povey who was also a keyboardist. Waller and Povey were huge Beach Boys fans and between them had developed their own distinctive harmonies which when paired with Phil May's vocals gave The Pretty Things a new dimension. The band's old R&B style was barely present as Phil May and Dick Taylor wrote songs of a more whimsical nature, going for a more adventurous pop style displaying a definite Ray Davies influence. Steve Rowland decided the new songs sounded rather empty so he enlisted arranger Reg Tilsley to write and conduct orchestral arrangements for most of the tracks. Again, the band were not pleased by this but to appease Fontana and be able to break free, they went along with the idea. Tilsley was given tapes of demos and work in progress of the songs and wrote the arrangements. Some were fairly simple, requiring a brass section, whilst others were more elaborate, bringing in strings. Whilst some of these arrangements were overdubbed on what had already been recorded, Dick Taylor has recalled there were a couple of sessions where the band and Tilsley's ensemble were together in the studio. Because the songs had mostly already been written, the new members Waller and Povey weren't able to contribute much to the writing nor add their harmonies to most of the album. The new harmonies did make an appearance on "Children" which was chosen to be the single released in May 1967 on Fontana TF 829. The harmonies also appeared on "Out in the Night", "Bright Lights of the City" and "My Time" where they were used in a more spareful ethereal manner. Outside the studio, the band's live sound had changed drastically as they became involved in the burgeoning psychedelic scene. By the time ''Emotions'' was released, the contrast between the band on the record and on stage was enormous. The band were not happy with the end result and did nothing to promote it. Once released, their obligations to Fontana had been fulfilled and they were free to seek a new record contract. 〔Alan Lakey, The Pretty Things: Growing Old Disgracefully (2002)〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Emotions (The Pretty Things album)」の詳細全文を読む スポンサード リンク
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